Category Archives: Meeting·Myself

Meeting·Myself |Week of December 30th|

My life has seen numerous changes over the past few weeks.  I upgraded from a warehouse to a bougie apartment.  I now have in-house laundry, concealed and up to code electrical wiring, windows, actual art on the walls instead of art making mess everywhere, couches free from playa dust, and roommates that do not stay up making shit until all hours of the night.  I did lose something, the few hundred mice friends that scratched at my walls and sometime died in really inappropriate places (how dare they).

I got stress induced Vertigo a couple of weeks ago, which was awesome and put me on my back for a little over a week.  I’m not being sarcastic at all.  I had a great time.  I experienced complete euphoria and loss of worry as a result of the symptoms.

I’ve started fulling the backlog of custom orders that’s been hanging over me.  I got to hang out with family and good friends, and am attempting and am still being completely insecure about relationships with those of the opposite gender.  I got a chance to think long and hard about my future and the things that I want, and as a result decided to officially end this project.  This was a hard decision, I tried to fight it, but I have nothing left in me.  I’m drained.

This is the last Meeting Myself post, and when the photos run out (I think this will take another month, I took my final photographs today), so will this exploration of identity, Americanism, and consumerism.  I’m happy about this.  I think I’ve put enough into this project.  I’ve done my best, and I’m happy with that.

I fell short of my goals in a number of ways.  I never finished making all of the garments I planned, and I’m stopping well before my intended one year duration.  I am actually at peace with all of my failures.  I love them.  I set out to do something that was very ambitious.  I’ve left room for improvement.  That’s always a good thing.

I’m also excited to announce that I’ve entered the realm of the living again.  I can’t really deal with it just yet.  I am confused about days and making plans.  I keep getting everything all twisted up.  Making art is a different kind of living.  I didn’t realize that until I left the collective.  I feel like I’m turning into a human again.  Just being instead of making.  I don’t know what to do with myself.

I’ve decided to apply to graduate schools now that I have a killer portfolio, but the thought of making art again makes me want to cry.  Seriously.  The process of creation, of birthing thoughts into writings and objects, is wonderfully exhilarating.  It’s also tedious and takes a tremendous amount of energy and strength to share my thoughts and constantly feel totally naked and vulnerable.

I’ve spent the past few weeks getting back into the habit of grooming.  I find it endlessly humorous that I was the most unkept I’ve ever been in my life while trying to complete a project about fashion and grooming.  I felt wild!  I loved it.  My daily self-maintenance habits throughout this project were never more than five minutes long.  My routine was grueling.  Generally, it went something like this:

7:00-9:00am – Wake up read and or write something, update blog, edit photographs.

9:15-9:30am  - Attempt to shower/eat/dress/photograph myself.  Usually skipped the eating part and got a sandwich on the way to work.  Often skipped the shower.

9:30am-10:00am – Commute to work, arrive late food in mouth, avoid scornful glances.

10:00am-6:00pm – Work the day job.

6:00-6:30pm – Commute home.

6:30pm-1:00am – Read, write, sew, or design.

Rinse and repeat that shit for two years.  Fuck.

And so at the close of a project that was about identity I find that I don’t feel closer to an answer, or that the answer is some kind of joke – that we are not what we create, or see, project, or presume.  We just are.  I’m having a small identity crisis about it.  Don’t worry, it doesn’t merit anther project.

I know many artists deal with this at the end of a creative cycles (I’ve read about it).  I feel like I don’t want to make anything ever again.  I told my sister-in-law to make sure that my nephews become scientists, not artists.  At the same time I feel uncomfortable not making.  Several people, including two of my besties and a new friend, have brought up New Orleans…maybe all I need is a good bender.  It’s worked in the past.  I also need sleep.  So tired.  And food.  Cake.  I want a cake.  I need a hug, lots of hugs.  Puppy pile.

I want to say is thank you, thank you, thank you to any and everyone who glanced at anything I posted here over the past few years.  Your clicks and comments kept me posting and working.  This is all too true.  I couldn’t have made this in a vacuum, and so somehow my art practice is about me but not entirely.  It’s a beautiful thing.

And remember:

…all art is propaganda and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda. But I do care when propaganda is confined to one side while the other is stripped and silent.

—W.E.B. DuBois, from the speech Criteria of Negro Art

LOVE AND ENJOY!!!

 

bye bye

 


Meeting·Myself |Week of October 28|

Time to get back on to writing.  A housemate reminded me that I’ve been slacking on this part of my practice.  I attributed my lack of dedication to all of the things going on in my life, but realized immediately what a selfish excuse that was.  My  job is to share my experience.  I felt busy, I was busy, I will always be busy.  I am great at making work for myself, there will never be a lack of that.  Come hell or high water (incidentally it feels like I’m living in both), I’ve made the commitment to share my experiences.

So where to start?  It’s been over two months since I’ve reflected, and here’s the list of things that have been swirling around me:  1. Eviction 2. Fledgling business 3. Sex.  Actually, I lied about the sex part.  Crotch is tighter than a new set of Tupperware because I am finally realizing that I have a slight case of androphobia.  It developed after my last romantic episode, seven months ago.  I now have, for the first time in my life, a healthy fear of men.  Have not pursued one for purposes other than friendship/found any man attractive since.  My walls are sky high right now.  It’s not that I’m not dating (went out with a tailor last week)  just don’t have any space for bullshit that is not exactly what I’m looking for.  I’m not especially worried about my lack of attraction to men (although sometimes I find myself very attracted to women because I am more emotionally connected to them), it will work itself out when and how it needs to.  I’m sure of this.

The further I get, the deeper I dig into myself, the more difficult it is to honestly share my experiences.  I want everyone to know that.  In the past few months I’ve learned not to settle.  To never do something because it feels like the only option.  I want to encourage other people to do the same.  The temptation to compromise is continual.  I want to tell you about all of these experiences, but I’ve been approaching this new phase with some hesitation.

Many of you know that for the past year or so I’ve had a residency in an artist’s collective, one of the few collaboratively run live/work spaces in an area that obsessively focuses on/values what’s virtual.  My bed and studio are just a few feet from each other.  I get to wake up and make art.  Wake and make.  This is why I am so prolific.  I live in the mess of my art.  It’s amazing.  My life has been (and will continually be) unbelievably beautiful.  Things are changing shape for me though.

We decided to walk away from this home/workspace after 6 months of lawyers, negotiations, stalling, and a two tons (exactly the amount of garbage we removed from the premises last week) of anxiety.  My community has officially been dismantled.  I helped write the goodbye message that is now posted on Million Fishes website in between helping customers on Monday.  Here’s what we came up with:

Million Fishes is closed.

We’d like to thank our wonderful community of nearly 10 years for helping us co-create a space that showcased the immeasurable talent, passion, and diversity of San Francisco’s artists, activists, makers, thinkers, and dreamers. We hope that this vision of shared responsibility and radical inclusion extends beyond the life of the organization.

I spent last weekend removing screws from walls and filling holes with putty.  My dust-filled lungs are feeling it.  Also, what putty does a person use to  fill the holes in their heart?

My room and studio are both in a part of the collective whose lease ends mid-December.  I have a month and half more at what is left of Million Fishes.  I truly believe that something amazing will present itself.  I am all that’s left in what was once a thriving artist’s community.  I stay because I have a project to take care of, a vision to maintain.  Also, I’m not ready to leave San Francisco yet.

I give myself the title, Last Artist Standing.  If this were a reality show, I’d have won the million bucks.  There are no winners in this situation, unfortunately.  Maybe the landlord thinks he’s winning, but he has some shit coming his way.  I am confident that karma will take care of this one.  Like the dentist who’d make suggestive comments while cleaning my teeth, and  who later got slapped with a sexual harassment suit.   Shit works itself out.

Things are moving along well, but slowly, in terms of business.  I’ve been composing a longer post about the adventures I’ve had while trying to find someone to help me compose a business plan.  As usual I’ve learned that I’m the only person who can help me, but I, of course, had to rub against some edges to discover this.

I got the idea to write a business plan while hanging with a coworker who used to have a job as a marketing executive.  I have this dream of traveling again.  It’s been nearly ten years, and I ache for some novelty. I want to figure out how to sew, and design, and travel.  My coworker suggested that I make a point-by-point plan.  Unfortunately the winds of fate changed directions, and she moved to NYC before we could powwow.

After seeking other assistance and being offered a few “opportunities”(will write about these later) I finally enrolled in a business class at the Renaissance Entrepreneurship (damn, two very difficult words to spell) Center.  I find it helpful.  I’ve enjoy the environment of learning and sharing, and appreciate that it’s all about the fashion industry.  It’s helping me strengthen my vision.

I came home to a very quiet Million Fishes tonight, and finally appreciated the art practice for a new reason: I’m not afraid or bothered by being along.  Watch as a new chapter unfolds.

Love and Enjoy.


Meeting·Myself |Week of September 2nd|

Things are changing fast.  Fast, faster, fastest.

Rapid radical reevaluations render restful respites romantic ruminations.  Does that make sense?

I can actually start to see the results of all the hard work I’ve been doing over the past few years.  It all started last week, when I pathetically posted on Facebook about being tired of being alone and wanting more social contact.  Trying to recreate my world has taken considerable energy and focus.  I walk alone most days and nights.  These facts came into focus as I made my way home from work on a Saturday for the umpteenth time and thought about the number of days I had done the exact same thing.  How many times had I walked up those particular Bart steps, down that street, and past that guy in front of the laundromat?  I thought about the number of times I’d talked to that guy who always drinks 40s of Steel in front of El Faro.  And then I thought about the number of times I’d seen him being thrown into the paddy wagon, en route to the drunk tank.  And the fact that these visions, those steps, these people I see were only happening to me.  I had no one to share any of this with.  It all depressed me, so I posted this:

Felt tired of being alone for the first time in what feels like years today. Tired of walking alone, coming home to myself, sleeping alone, reading alone, working alone, playing alone, making art alone, crying alone, being happy alone…I’m tired of all of it. Also, I’m hungry.

I got a very encouraging messages from my friends.  I ate something.  I felt better.

A person who was instrumental in making a storytelling event I helped co-found a few years ago a success sent me the nicest message.  Browning Porter and a few other tellers were the bread and butter of Secretly Y’all Charlottesville.  If I could do it over again I would give the cash we made at the events to this select group of individuals.  They were always up for telling their stories, and the stories were always top notch.

Browning encouraged the group to move in new directions, and took time outta his life (which includes a wife and kids) to meet and brainstorm.  He even helped headline the first event while the group transitioned to Richmond at the end of 2010.  Here is a link to an interview I did with him a few years ago (seriously, how has two years passed already?).

Anyhow, here is the message I received from him on that night:

I also just want to say that I am really grateful to the energy you put into bringing storytelling to C’ville, and it paid off in ways that you probably can’t even see yet. You had an impact. And also that the work your are doing now is cool and interesting and I hope you keep it up. I wouldn’t say that if it weren’t true. You will find people who get you. I believe that.

I get by with a little help…

This simple note, this simple act of gratitude and a seemingly genuine expression of belief shook me up.  For the past few weeks one of my great friends, who’s been growing the event in Richmond since my move to California, asked me and the other founders of Secretly Y’all to contribute a few stories to the upcoming event.  The theme they’d chosen, Origin Stories, gave her the idea to get the founders back together to tell about the birthing of SY.

I wasn’t thrilled about her idea, and told her I couldn’t participate because I still had some unresolved issues with what went down that year.  Since my flirtation with Virginia ended I have been on the out and out with the social group that I ran with at that time.  This is not really surprising. I moved clear across the country after things went to pieces and, to be fair, up until that point I was trying to be something and everything that I was not.  I was avoiding my true calling, and when you’re being fake life rewards you with fake.  Like attracts like, right?  Fake creates fake.  Being invited to tell stories with and about this time in my life brought back some major feelings of insecurity.

Browning’s message made me realize that there had been a place where I was being honest with my goals and intentions that year, a place where my love of creation had an outlet.  I had a genuine enthusiasm for the event that came from the most beautiful chamber of my heart.  I worked hard on the event because the work didn’t feel like work.  It felt like love.

I sat down to listen to a few Moth podcasts (which I was introduced to while working in the University of Virginia’s costume shop) this morning, and immediately remembered why I liked holding that event: Because I liked giving people a platform to express themselves.  I liked having a view of other people’s experiences, and I truly enjoy the experience of sitting still, being quiet, and focusing my attention on other people.  I liked encouraging people to expose themselves and supporting them while they lived through the discomfort that resulted.  Life is about looking at our fears and staring them down until they don’t exist anymore.  At least, to me, a life that is well lived is about that.

So I’m trying to gather my thoughts about Secretly Y’all and it’s origins.  I’m going to try and participate this coming Monday because I’m terrified.  I’m terrified of revisiting this time in my life, which means I have to.  I combed through some of Secretly Y’all’s email archives to get a sense of what was going on at that time, it hasn’t brought me closer to any conclusions, but I can remember what I was feeling at that time, and I know that it closely relates to what I am doing now.

Another piece of the puzzle is falling into place for me.  I haven’t written about sexuality, relationships, and dating for a while because I haven’t been exploring those parts of my life at all since I made and started exhibiting the three foot photomosaic of my vulva.  I truly hope this is coincidental, cause if it’s not I will have to destroy my piece to get my groove back.

The part that is falling into place is my ability to deflect other people’s (especially men’s) desires for me.  This has been consistently challenging for me for as long as I can remember.  Again, not a surprise.  I was raised in authoritarian, religiously conservative household, where my dad’s words were stronger than law and mom wielded a large ‘obedience’ stick to help us kids remember this.  I was raised to obey, but eventually learned that these behaviors benefit those around me, especially those who want me to do things for them, and are pretty much useless in helping me get what I need and want.

Speaking of strategies that people use to control other’s behaviors, I recently learned that some men use what I call “expectation control” when they want to have their way with me, but don’t really want to be down.  I will be honest, I use this method when I am selling things at the fabric store.  I tell customers that we don’t have something if I am ambivalent as to whether or not we do, and then when I find or don’t find it, it is either perceived as me being a magician, capable of pulling items out of thin air, or that I set up an expectation that proved true.  Either way the end result seems positive.  The customer is either really happy that we do have it, or not to bummed out that we don’t.

This method is great for selling things, but not so great when dealing with human hearts.  But that’s just it, guys that use this method to get what they want from women are basically treating relationships like commodities – expendable, tradable, a resource to be tapped.  The expectation control method has worked on me!  It’s often led to me being way too available with guys that don’t really know what they want, or who are just playing the field.  I don’t see a problem with playing the field, and personally have not been in a position to carry a serious relationship for the past several years, but I’m starting to come out of that, and now it’s easier to translate and understand the language of ambivalence.

I recently had a very positive exchange with a young suitor that left me proud.  I initially accepted his invitation to go out, but after considering several important factors, I realized that I was heading in the wrong direction.

Me:  Actually, I don’t think I want to meet up.  I think you are a nice guy, but I have to be honest with myself and you.  At this point in my life I’m actually looking for something serious.  And I doubt that at 22, you are.  So it’s nothing personal, but I don’t want to go down roads that lead to nowhere.”

Him:  I’m 23 :) but you’re right i’m young and not in a hurry to find something serious.  I want to take you out but not with any expectations of something serious.  If you feel like going out with me precludes you from finding something serious then I can understand.  If not, then I’d like to go out with you, you’re an interesting girl.  Give me a chance to get to know you.  Young or not it won’t kill you, or keep you from finding something more serious

Me:  I am going to pass on Saturday, but that doesn’t mean I never want to see you – just depends on the context.  If you’re going out with friends and want to invite me along – great.  I’ll happily join.  But us going out one on one is not really an option to me.  I’ve had too man experiences with men who ask me to limit or lower my expectations to accommodate their desires and I’m not willing to do that anymore.  No, going out with you won’t kill me, but it also won’t move me closer to the thing I’m really looking for.  If you still want to get to know me, read my blog.

Him: That sounds fair.

I am actually super impressed by the maturity of this dude.  His ability to be honest with me, hear me out, and not get defensive is encouraging.  I seriously hope I’ve broken some pattern.  It feels like maybe I have.  Only time will tell.  I am also insanely grateful that I’ve been keeping this blog.  It enables me to deflect the age old question, “Can’t I get to know you, girl?”  Yeah you can, doesn’t mean I need to be there for it.

Realizing that I have the ability to deflect peoples desires for me ignites anger in some people, admiration in others.  Saying what I want and need, as both a woman and a person with brown skin, goes against the flow of things in America.  In America, my desires are not a priority.  My dreams don’t count and aren’t included.  My needs aren’t prioritized.  More importantly, many people see the fulfillment of my desires as a direct threat to their ability to get what they want.  I think this is called the scarcity mentality, that there are limited resources and that we are in competition with each other to secure what there is.  I see this as fundamentally true in terms of American race relations, where a black person getting something is equated with a white person losing something (In our racist society nothing has ever innately belonged to brown skinned people.  Not their bodies, not their children, not their homes, not their land.  The entitlement of ownership is associated primarily with the white body).  Think about the arguments against Affirmative Action.

So when will we start to have the mentality that me getting what I want has no bearing on you getting what you want?  Where are we going to learn to share in a way that most 5 year olds are required to master to pass kindergarten?  When are we going to realize that there is enough out there for all of us to get what we want and need and that we don’t have to give people preferential treatment based on a minescule and unimportant genetic variation?  When do we realize that losing, and doing so with grace, is just as important, if not more important, as winning?

I have a zillion mundane experiences that I could reveal that back the idea that some people are threatened by the idea of someone like me getting what I want.  Let’s explore a few, since the big truths of life are often found in the mundane.

Here’s one example: I was getting Chinese takeout the other day, and as I went to pick up my food a woman insisted that I had a made a mistake and that I was taking her order.  She got in my face about it, and the server had to reassure her that the order I took was mine.  She apologized.  I walked away.  Maybe you’re saying, “Well, this happens to me too, what does it have to do with you being black?”   And to that I say, how often does it happen to you?  Cause in my world that shit happens all the time.  I don’t count random outlier experiences, I count patterns, things that repeat themselves.

Here’s another:  I recently went to an Episcopalian church to meditate with a friend (Interfaith.  Imagine that!), and before we entered the church a young black man approached and asked about the motorcycle that my friend had ridden up on.  They casually chatted for a few moments.  The kid, he couldn’t have been older than 19 or 20, seemed pretty enthusiastic and excited by the bike.  As they parted my friend turned to me and said, “I think that guy wants to steal my bike, I mean, why was he asking so many questions about it?”  I told him he just seemed interested and that the situation was probably harmless, but I also felt paralyzed and dismayed by his question.  I currently feel ashamed that I didn’t interrogate the obviously racist assumptions that were underlying his concerns in that moment.  Would he have felt the same way if the person asking questions was a white man or woman?  I should have asked him these things.  About 5 minutes into the meditation session I heard my friend rise from his chair, and a few moments after that I heard the roar of closely parked motorcycle.  He was so disturbed by his own fearful assumptions, that he felt compelled to move his bike to protect it.  That’s unconscious racism at it’s best.  And in that moment, I think I began to understand racism at it’s core.  It’s an irrational fear, a fear that controls, a fear that interrupts everything, even sacred moments of spirituality.  And I felt sorry, for the first time, for the unaware racist.  Because I realized that he or she is perpetually living a life of fear.  A reactionary life, a life based around the speech an movements of others.  A young black man’s expressed desires were enough to do that.  That has been powerful for me to consider.

There have been many moments for me when I’ve openly expressed myself only to find that the person on the receiving end can’t handle the words coming out of my mouf.  They react, they lash out, they blame me, they tell me they want to choke me, they mime choking me, and I get to look at them in all of their awfulness wondering what it was that I really did.  Since when is expression that threatening?  But it is.

I am of a firm mind that those of us who experience the most oppression have the best fodder for artistic expression brewing under the surface.  I came to this conclusion recently, after inquiring about Japanese culture.  I’ve been trying to figure out why so many of my favorite artists and creators are Japanese.  I happened to meet an American woman who’s been teaching English in Japan for a decade or so, and when I asked her what Japan is like she said, “There’s only one way to do things in Japan.”  Maybe that’s the secret then.  The cultures that actively discourage natural and healthy variation are unknowingly  encouraging radical forms of expression.  It’s a beautiful thing.  Life always finds an outlet.  I’m glad I’ve found this one.  It’s my platform, and the view from up here is amazing.

Love and enjoy!


Meeting Myself |August 20th|

Today marks the 11th year since my mother’s death, and can I be perfectly honest?  It get better.  It gets so much better.  I’ve struggled with grieving and her death for the majority of the last decade, and I am so grateful that I did.  To feel like I feel today, to feel so different from how I used to feel and to be able to recognize the difference is truly gift-like.

My morning was simple.  I woke up, scheduled some posts, and had a good chat with my sister in-law (she’s the best) who just got back from a three week European vacation (Italy and Spain).  She’s encouraging me to put my travel shoes back on.  I want to so badly (I have to work for a Parisian fashion house soon.  That is what my creative brain is telling me to do and who am I to deny her ?), but I have to make sure I have strategies in place for dealing with the racism that I’m sure to encounter.

Learning how to say “Kiss my black ass,” in as many EU languages as possible is on the list of strategies.  Also, finding communities of artists is another coping mechanism that I would like to utilize.  Artists tend at the very least, tolerant to different lifestyles and modes of expression.  Also, one of the ways I cope with racism is through my art.  I don’t have to worry about addressing every hateful situation in the moment because I know my art is addressing it for me, all the time.

The older I get the more I realize how important having safety nets and support systems are.

I recently went rock wall climbing with two of my housemates.  Before going I gave them all the reason why I wouldn’t like it, inlcuding:

1.  There wouldn’t be any other black people there.  Making me the only black person, like always.

2.  I climb metaphorical mountains everyday, why would I want to climb a fake one for fun.  Climbing too high, to places humans can get on their own doesn’t sound like fun.  Climb for fun, what the hell kind of fun is that?

3.  I am not strong enough to get my round ass up a rock wall.

So here were my results.

1.  There weren’t any other black people there but there were some Asians and an Indian couple, which I pretty much consider black.  Mainly because their skin was darker than mine and also because I get mistaken for half Indian all the time.

2.  Climbing a fake mountain with friends is way better than climbing real or metaphorical mountains without them, especially because of the ropes.  We did two types of climbing top roping and bouldering.  The main difference between the two was that top roping includes harnesses, a funny garment indeed, and ropes connecting climbers on the ground to climbers on the wall.   Although I was initially intimidated by the height of the walls, psychologically speaking I found top roping easier.  Knowing that I had someone to ‘catch’ me in case I fell meant I was more willing to take risks and reach for sections of the wall that I wouldn’t if I were doing it by myself.  I was able to scale 30+ foot walls without incident or hesitation.

Bouldering was different.  Even though the fall from a boulders could never hurt a person, I was skittish without having the weight of the harness and ropes on me.  I was way more careful and hesitant.  The part I did enjoy about bouldering was falling from the wall onto the mats, and knowing that I could just let go and I wouldn’t get hurt (although I was mighty fearful still).

In top roping the climb is fun.

In bouldering the fall is fun.

These are good lessons.  To get up high, to meet my goals, I’ll probably need a really long rope and a few people helping me, pushing and pulling in various directions, pointing out things that I can’t see from my perspective, things that are right in front of my face.  And if I do fall, I need to remember that as long as I’ve nurtured a support system, there’s nothing to worry about.  I will enjoy the fall.  Hopefully I’ll be laughing on the way down.

Also, working on and doing things that are scare me is almost always fun.

3.  My body still works.  Even though it’s shapely and feminine it can get me places I would never expect.

This exercise also made me think about society, and the way some people can more easily perceive their harnesses, safety nets, top ropes and mattresses.  This makes it easier to take risks, to just go for it.  Others have a hard time seeing and feeling those supports, meaning sometimes they never make the leap or take that risk they need to take to get to the next place.

Some people can create the support systems in their mind (I think that’s what the ego is for), while others, I include myself in this group, actually need to see and feel things to know that they exist.  It’s not enough for me to imagine things.  They have to materialize in the flesh, I have to feel my lovers warmth or the knife’s sharpness to know what’s going on.

This got me thinking, wouldn’t it be cool if someone made an obstacle course that physically imitated the societal institutions that support and maintain white supremacy?  So every time someone said something like, “I don’t know what it’s like to be black/poor/a woman/a person with a disability,” I could tell them to give my obstacle course a try.

My vision would be to make it American Gladiator style, so two people would be running the course at the same time.

“I’m in so much pain, I can’t breath, but I am so freaking excited and I’m happy to be here!!!!”

The catch is that one side has harder obstacles, and the participant has fewer resources at their disposal to combat the obstacles (like no huge q-tip to fight an opponent with).  The key to creating maximum frustration will be to ensure that the participant on the harder side can see all the progress that their opponent is making, while they seem to be standing still, working on the same problem.  This has, as you can tell, been my most frustrating obstacle in the past.

I was thinking about obstacles because my sister-in-law was talking about how much people stared at their family in both Italy and Spain.  She told me about the disgusted looks she got from one Italian woman in particular.  My sister-in-law’s parents come from Italy and Peru, and she’s married to my brother who is a mixture of whatever we consider ourselves to be.  I consider myself African American, with a few splashes of American Indian on both sides of the family, and some European, including portuguese, from my mother’s family who passed for white in several of the census records I’ve found.  In any case, they got looks, and stares.  This made the vacation hard to enjoy at times.  While we were chatting I realized what this whole “race” thing is to me, it’s an obstacle.

It’s a giant boulder, it’s a rock wall; it’s a boulder, and then a rock wall.  It’s a trail of fire leading to a pool of gasoline.  It’s a treadmill in the wrong direction, its a strongman hidden behind the gate…it’s MXC!

It’s an obstacle course, and my job is to figure out how to get over, under, around, and through.  If I do it right I should probably be in a lot of pain, chest heaving, possibly feeling like I’m about to die, but so excited for having gotten to where I wanted to go (like the girl in the AG video).

It doesn’t matter who starts first, who’s in the lead most of the time, and who wins.  What really matters is that I finish.  That I complete what I start, that I do what I set out to do.

I’m not sure how I started at death and ended with obstacles, but I suppose that makes sense.  Death is an obstacle to overcome.  Death separates us, physically, from people we want and need.  That separation can be hard to bear, but if we can see beyond the obstacles that the physical world presents, we realize that the dead are always with us in their own way.  They never leave.  And we can escape our own mortality through our work, through our passions, through the ideas, beliefs, objects, and love we share with others.

I end this post by sharing my gratitude for the obstacles I’ve maneuvered around thus far, and by requesting a rope, a harness, and if possible a partner or two to help me scale anything else that blocks the path.  Pretty please…

Love and enjoy.


Meeting Myself |Week of August 12th|

There have been some questions burning me up lately.  I threw a temper tantrum at work today.  I just had to get all of these questions out of my head.

First off,  why?  Why do I feel this need to create? Why?  Why has it been the thing that’s driven me all these years.  Why?  Why can’t I be happy fitting into systems that already exist?  Why do I want to do things my way?  Why do I believe my way is better (if only for me)?  Why do I take pictures of myself semi-clothed (and sometimes not clothed at all)?  Why do I have to take pictures of my vulva?  Why do I want to make new things?  Why?  WHY? And where is all of this going anyway?  Where?  Where will I be living in two months?  Who is looking at this blog?  Who?  Who’s with me?  Who’s coming with me (a la Jerry McGuire)?  Is anyone out there?

I ranted, and maybe I sounded crazy, but I don’t care anymore.  I had to get all of this out.  Then I drank 24 oz of delicious latte, got a little pumped and did some draping.  I felt much better after this.

I’ve been battling it out with myself for almost a year now, and I’m not sure I’ve come closer to any definite answers.  I started Confederate Articles because I was rejected from graduate school and wanted to make sure next time I applied, I would have a strong portfolio that represented me as an artist.  Not only have I been able to build that portfolio (www.lesliechannel.com), I’ve also made enough art on my own to question whether or not getting the degree is worth it to me.

I have generally been a fan of school, but this time spent exploring my art practice with no support other than what I can give myself has taught me more than I’ve learned from any formal institution.  The main benefit I see from attending school would be the potential for connecting to other artists and people who share my interests and passions.  Also, I would probably get to relax a bit more than I do now.  School has scheduled breaks, stops and starts.  My life outside of school has not been like that.  The breaks have been unexpected, even unwelcome.  Also, consistent feedback could push my already explosive art practice to new levels.  Ok, all in all school still sounds like a good idea, but where?  And in fashion or in art?  Maybe both?  I can’t seem to do on without the other.  They were born together, my conjoined twins of creativity.  One to be viewed, the other to be worn.  They do work on different levels, but they both relate back to my lived experiences.

Onto more important things:  I saw the Gaultier exhibit at the de Young museum last Sunday, followed by some casual hitchhiking to one of the best dumpling spots in San Fran.  It was good fun.  I’ve needed some excitement.  The monotony of working and creating has been a bore lately.  The guy that I hitched a ride with revealed that he worked in finance, and had a friend that had worked for fashion magazines in New York (“W” and the NY Times fashion insert, maybe even NY Magazine).  He also mentioned that her husband owns a fashion brand called Tocca.

It’s amazing the amount of information people drop without much questioning, and how much people sometimes withhold when asked directly.  I never even learned my driver’s name, and I wasn’t about to share mine with him.  He told me I was bold for asking him for a ride, but I wasn’t scared.  The ride was under five minutes, but saved me from walking 20 blocks uphill.  The surfboards in the back of his open-top jeep made me think that he had better things to do than abduct me.  I only did it because the bus I tried to catch was filled to capacity.  The muni driver informed me that if I didn’t get off the bus wouldn’t be moving.  ”Get behind the yellow line or get off!” were his exact words.

Photos from the exhibit:

I felt like I was home there.  Like I was in a place that I understood.  There was so much there that I could relate to.  But how do I get myself from where I stand to that place, that place where my creativity can thrive and stretch and grow.  How do I get from here to there?  Have I arrived already?  Am I doing what I should be doing?

I feel equal amounts of anxiety, elation, fear, and hope right now.  Everything feels like it’s up in the air.  I’m not sure where I’ll land.  Here’s hoping for the best.

Love and enjoy!


Meeting·Myself |Week of July 22nd|

I’ve been wanting to write for so long, but this phase of the project has taken some time and patience to adjust to.  I feel out of sync with writing, out of practice.  I’m not even sure what to say anymore.  Daily picture taking, uploading the images onto my increasingly crowded hard drive, and making sure I keep track of which pictures were taken on what day has shaken up my routine a bit.  Add that onto not actually being done with all of the garment construction, work I’ve been doing on an outside project, and still trying to live a “balanced” life, and you’ll clearly see why I’m a little concerned about time management.

I try to keep things mellow, but my once empty glass is filling up.  I’ve hung out with people twice in the past 3 days!  That’s crazy!  I have been very resistant to certain activities.  Namely partying, but secondarily, having fun; socializing, and dating, have taken less priority over the past four months.  This is one of the many ways being an artist is a challenge.  Sometimes I make decisions that leave me feeling less human – less a part of a shared human reality.  I often feel like I’m on a totally different planet, and the truth is, I am.  No one flows through the world in quite the same way that I do.  There are some who’s experiences cross over more into my reality, but the more I actively choose a path for myself, the smaller that group of people gets.

I’m starting to balance much better.  I love the rush of the unknown, but I also have a great crop of experiences to judge a new situation against and help me navigate back to myself.  I see the value in meeting and greeting new folks.  I love the solitude of my studio, my room with 17 light-blocked windows, a respite from the outside, my sanctuary.

I love bumping against people who are struggling with some of the same issues I struggle with.  Like whether or not to call themselves artists (someone tried to tell me that real artists don’t call themselves artists, which I feel is bullshit), how to get back to themselves after measuring their work against giants of the past or present, and how to escape the pretension of taste and get back to the love.  That’s all being an artist is to me – it’s showing your love through works manifest.  Some of the work will be good, some of it will be mediocre, but to those who do not create it is all an inspiration.

I am getting really great feedback about the pieces I’ve created.  The garments are large and the generous cuts take shape in San Francisco winds.  Fashionistas in Union Square look at me with wide eyes.  I love it most days.  There are moments I wish I could walk around in a pair of jeans, a “normal” outfit.  I took for granted that my previous wardrobes helped me blend into the sea of humanity. I stand out now.  My father says I’ve “individuated.”  I’ve declared myself.  Being seen is nice.

These first few weeks have cemented the project/life as performance art.  I was doubtful before, but now it’s clear.  I’ve also been able to make peace with a lot of questions I have about identity.  We put on our identities like leggings – breathable, tightly fitting garments that snugly cling to our bodies, but that can be removed and changed at any time.  I am even more in love with clothing than I was before.  I love how wearing this clothing helps me see different perspectives.  I experience my body differently.  My life is moved.

I feel proud.  I feel proud to have gotten this far with my project and I am excited, for the first time in a long time, about my future.  I am excited about the potentials.  I am wanting to release – everything.  It’s a pleasant feeling.  I finally feel accepting of what I have to offer.  This has taken a long time.   Maybe this is what we call surrender, yes?  It feels good.  Tension, growth, release, surrender.  Burgeoning, blossoming, emerging, hatching.  Waiting….

Love and enjoy.


Meeting Myself |Week of May 28th|

My transition from writing to sewing has left me lacking the proper mental focus to write something that I feel fully expresses the enormity of the changes that have been occurring in my life, both personally and professionally.  I will attempt to recap the highlights from this month, and my progress on this project, which has been noteworthy.

Last week I finished the first of the six garments, and I must say that the garment is a thing of beauty.  Of course, mothers always think their children are beautiful, even the bucktoothed, cross eyed ones, so whether or not I speak the truth has yet to be determined.  In my eyes the first garment I created is amazing.  I am excited to put in on my body and wear it for a year.

I’m taking two weeks off from work, to put some effort into Confederate Articles.  Hopefully this will position me to start wearing the clothes on the 4th of July, the day Americans celebrate their independence.  I’m changing the meaning of that holiday.  It’s personal.

I will also be making moves to start a kickstarter campaign.  My project was approved many, many moths ago, but I couldn’t exactly figure out what to raise money for.  I know what I need now: a better computing system to handle the boatloads of pictures I’ll be taking next year.  I also need a reliable way to store the digital files I’ll be capturing.  So I will be raising capital for that.  Get your checkbooks ready.

I had the honor of being invited to volunteer with Samba Funk, a bay area samba dance troop, during San Francisco’s celebration of Carnival.  I was amazed to tears by the hoards of beautiful black bodies dancing and parading down the streets, reflections of my body and spirit, partially nude, exalted, glowing, and celebrating.  I can never consider my black body ugly, monstrous, or diseased and participate in this festival.  It’s just not possible.

  I somehow managed to get this shot of this woman wearing a cunt pastie.  Amazing.

My household is always going through major transitions, but recent times have brought on some of the most shocking developments.  This has been very stressful for my system.  I carry all of my stress in my womb, and when times get scary I bleed uncontrollably.  This actually doesn’t scare me anymore, just an indication that things are getting stressful for me and that I need to find ways of chilling out.

The first shock came about a month ago, when we were informed about our landlord’s intention to remove us from his property.  This is devastating for me, and most importantly, for my art practice.  I have a studio space for the first time, and a community of artists to help me and encourage me as I attempt to continue down this path.  The thought of this vanishing from thin air because my landlord wants to make extra money is sickening.  I knew being an artist would be a battle, but I thought most of the battles would be internal, related to how I expressed myself.  I never imagined that it would get this personal, that my decisions and lifestyle would be threatened because of what I need to live.  I need art to live.  It is not an option at this point.  It is a necessity.

The landlord hired a crazed and frothing at the mouth, rabid, devil dog of a lawyer named Karen Uchiyama, who regularly sends us threats through all available channels.  A quick internet search revealed this testimonial about Uchiyama:

Karen Uchiyama is one of the most unethical and vindictive landlord attorneys in San Francisco. She is responsible for hundreds of eviction notices. Uchiyama often targets immigrant tenants and families, using their immigration status against them. She uses tactics that even other landlord attorneys would consider “low”.

I couldn’t find a photo to accompany the text so just picture, if you can, Satan.

Also, one of my housemates, a person who I feel very close to, sustained a severe head injury in a collision between his bike and a truck.  This happened less than 36 hours ago.  He is on a breathing machine.  I visited him in the ICU on Wednesday.  2012 is showing me its teeth.

I find solace in my work, and in a handful of close relationship I’m selectively choosing to maintain.  I don’t have the capacity for anything else.  Just trying to keep my head above the world that is swirling around me.

I have the feeling that I’m not the only one who’s experiencing this right now.


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